Tag Archives: Joseph Legere

Meet our honours students 2015-2016

Our honours students have been immersed in their thesis research for months now. We’ll get to hear more about their work at the departmental honours colloquium in February, but for now, here is a glimpse of our students and what they’re working on.

Charlotte Kiddell

Charlotte Kiddell

My thesis is on representations of diasporic and familial trauma in Hiromi Goto‘s The Kappa Child and Chorus of Mushrooms. Both novels tell multigenerational stories of Japanese-Canadian families. The Kappa Child and Chorus of Mushrooms depict personal family trauma experienced by the protagonist of each novel – childhood physical and emotional abuse, maternal illness, a grandmother’s disappearance – as well as the ancestral trauma of diasporic displacement. I’m interested in how Goto tells the experience of intergenerational diasporic trauma through modes of liminality to communicate her characters’ experiences of destabilization and displacement. Goto plays with childhood perspective, adaptations of folklore and magic realism to communicate the liminality of traumatic and diasporic experience.
P.S. The protagonist of The Kappa Child exclusively wears pyjamas.  I thought I’d follow her lead for this photo!


Joseph Legere

Joseph Legere

I will be looking at the works of Nawal El Saadawi, who is an Egyptian psychiatrist. Using postcolonial and feminist theories, I will be examining the way Saadawi depicts violence and trauma in these works.


Jenny MacKinnon

Jenny MacKinnon

“So if she weighs the same as a duck…she’s made of wood…. And therefore…. She’s a witch!” (Monty Python and the Holy Grail)

There is something of an ongoing witch-hunt in Arthurian scholarship, largely arguing over the nuances in the labels “enchantress”, “sorceress”, and “witch” and why some characters can be considered magic users and others who never actually use magic are still described in this way. My research examines various Arthurian women, focusing on Morgan le Fay and Guinevere, in Sir Thomas Malory’s Le Morte Darthur and in Sir Gawain and the Green Knight. Using a feminist approach to study women’s agency and power in Arthurian literature, I am also researching historical perspectives on late medieval women and witchcraft.


Jason McKenna

Jason McKenna

I am looking at stream of consciousness literature spanning from the modernist period all the way up to the 2000s (how it’s been done, consistencies, differences). The specific novels I’m focusing on are To the Lighthouse by Virginia Woolf, The Mezzanine by Nicholson Baker, and Umbrella by Will Self.


Colton Sherman

Colton Sherman

With a central focus on urban spaces, my thesis explores the intricacies of content and form featured in psychogeographic texts—narratives in which the protagonist explores and engages with the city, such as Iain Sinclair’s Lights Out for the Territory and Paul Auster’s City of Glass. Cities are inherently textual spaces capable of being read (as well as written in) and it is this metaphor of the city as text which centers my analysis. Furthermore, I postulate that this metaphor is reversible, with the texts themselves exhibiting structures—forms—that mirror the urban landscape.


Hailey Stapleton

Hailey Stapleton

I am writing about feminist poetic adaptations of Helen of Troy from the modern to contemporary period. I will be working with H.D.’s “Helen,” Anne Carson’s “Helen,” and Margaret Atwood’s “Helen of Troy Does Counter Top Dancing.”


Sarah Vallis

Sarah Vallis

My thesis explores the racial politics of the Harry Potter novels. I will be looking at four major categories: Rowling’s questioning/problematizing of authority and institutions (Hogwarts, the Daily Prophet, and the Ministry of Magic); the sentient creatures of the novels, such as the house-elves, the goblins, and the centaurs, and their identity; the politics of the “real-world” races and ethnicities present in the novel; and the pure-blood politics and Voldemort’s rise to power through the already-existing systems of authority.


English honours students at the Mount take a full-year credit course in which they do independent research under the supervision of a faculty member and write a substantial thesis on a topic of their choice. You can find more information about our honours program here.

 

Tales of Mirth and Morality: Readings from Medieval Literature

Hailey Stapleton as the Wife of Bath

Hailey Stapleton as the Wife of Bath

The Studies in Medieval Literature class (ENGL 3376) recently held an evening of recitations from the Canterbury Tales and Sir Gawain and the Green Knight. This “Tales of Mirth and Morality” assignment allows students to practice their oral presentation skills while showcasing their abilities to read Middle English expressively – and what better way to appreciate the sounds of medieval poetry than by hearing it spoken aloud.

Joseph Legere as the drunken MIller

Joseph Legere as the drunken Miller

Students selected and rehearsed up to a five-minute passage, some reciting alone and some in pairs. This year, tales of mirth definitely predominated, with the Wife of Bath, the Pardoner, the Miller, and the Merchant the focus of multiple readings, but Sir Gawain and the Green Knight and the absurd lovers in the Knight’s Tale also got their share of attention.

Andrew Potter as the Pardoner and Grace Shaw as a "riotour"

Andrew Potter as the Pardoner and Grace Shaw as a “riotour”

The evening ended with the Pardoner’s attempt to sell us insurance for our journey along with the Host’s and Knight’s responses, spoken by Colton Sherman in the voices of William Shatner, Matthew McConaughey, and Sean Connery  – apparently for no other reason than general mirth and joy in storytelling, an apt conclusion to the event.

For those of you who know the Miller’s Tale, we leave you with highlights from the window scene:

Scenes from the Miller's Tale. Thomas Jared Whitman

Scenes from the Miller’s Tale. Thomas Jared Whitman

— Anna Smol

Terms of Engagement: Teaching & Learning in the English Department